Heritage Research Group Caribbean (HRGC)

The rear courtyard of the National Museum is a hive of activity. In the rooms on the ground floor, small workshops turn out everything from pottery to covings, light fixtures to souvenirs. Each workshop employs a couple of people, creating castings, throwing clay, and carving stone and wood. Here on the table are a tray of ceramic lamp fittings, decorated with characteristic Saladoid curves and whorls copied from a reference library of archaeological reports. Once they have been fired, they will go to a hotel on Morne Rouge— a custom-designed order for refurbished rooms. In the workshop next door, two young artists put the finishing touches on a large mosaic panel. A government minister points out to a small group of foreign investors how the mosaic takes its inspiration from ancient Amerindian and contemporary African culture. One of the artists is a local teacher, and the plaque is destined to hang in his school in the north of the island. Upstairs, above the courtyard, the roo