The rear courtyard of the National Museum is a hive of activity. In the rooms on the ground floor, small workshops turn out everything from pottery to covings, light fixtures to souvenirs. Each workshop employs a couple of people, creating castings, throwing clay, and carving stone and wood. Here on the table are a tray of ceramic lamp fittings, decorated with characteristic Saladoid curves and whorls copied from a reference library of archaeological reports. Once they have been fired, they will go to a hotel on Morne Rouge— a custom-designed order for refurbished rooms. In the workshop next door, two young artists put the finishing touches on a large mosaic panel. A government minister points out to a small group of foreign investors how the mosaic takes its inspiration from ancient Amerindian and contemporary African culture. One of the artists is a local teacher, and the plaque is destined to hang in his school in the north of the island. Upstairs, above the courtyard, the roo...
Blog for the (now defunct) Heritage Research Group Caribbean (HRGC). This was mostly random stuff about the history, archaeology, and cultural resources of Grenada, West Indies, written by John Angus Martin and Jonathan A. Hanna. HRGC is no longer active.